Clever artist-curator types know that foundations, institutions and  similar grant-giving bodies give support towards a credible  cultural/artist community. We often write in proposals terms like  "community", "art scene" or whatnot, and juxtapose them with pretty  words like "thriving, burgeoning, innovative, etc" -- are we really  writing observable facts, or simply filling in for the holes? To which  community are we referring to? The one we are in? Or the none yet  existing one we are trying to help create? Is there even such a thing  here? Hard to admit, but I often get confused. Yet we still try to  pursue whatnot. It often feels like a perennial struggle.
I can only speak for my city -- Manila. As it's often ridden with bullet  holes that form into questions and gaps amongst communities.  Oftentimes, the delineation is not so obvious as various people wander  and come together in artist-watering holes/centers, where scenes form  and decay:  Penguin, Greenpapaya, Mowelfund, Club Dredd, Mayrics, Inka,  Cubao X, Crazy Daisy, Saguijo, Espasyo Siningdikato, B-side, The  Collective, etc etc...
Actually how is a center formed and what are the factors that contribute  to it? Is it possible to create one deliberately? If not, why, and is  it at least possible to optimize conditions for/encourage their  spontaneous generation? - resounding a friend's response to my 18-page  proposal with an intention to cultivate/network art  practice/communities.
As I see it, networking only becomes relevant if it happens to  contribute / hasten / improve / support a particular idea or set of  ideas (and ideas leading to projects) that would benefit the  participating folk, the institution where these were hosted/developed,  and the audience and environment in which the particular project or idea  revolves in. Why do we have the tendency to network superficially? Or  don't network at all? And how easy or hard is it to do that with our  context here in Manila? How do we achieve or formulate a science of  encouraging spontaneous networking/convivial spaces? Are there existing  methods available here? Are there clues or collated data on how it has  worked/ hasn't worked so far? (debatable)
A friend wrote on her wall while describing her "ethnography":
"Social, technological and discourse innovation happening  simultaneously: Hackerspaces? FabLabs, Techshops, NexFab? Community  Labs? Maker community groups and spaces?
DIY organizations? Coworking experiments? Community labs?  Membership-based, high-tech workshops? Prototyping centers? Gym for  innovators? Living labs open innovation communities?
More questions.
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